Donate before December 31st to support the Satori Group's current work in development, including:
ARTBARN 2016:
In partnership with the site-specific theatre company ARTBARN, we're developing an original piece inspired by and performed in the Georgetown Steam Plant, a National Historic Landmark in South Seattle. The piece is a large-scale collaboration which will include core artists from ARTBARN and the Satori Group, as well as local engineers, historians, designers, performers, and writers. The culminating performance in summer 2016 will feature a large cast of local artists as we invite a city-wide audience to immerse themselves in the plant, its history, and the stories that emerge from it.
Getting There:
An intergenerational conversation about female consciousness in relationship to solitude, sacrifice, and genius, Getting There is a collaborative effort between playwright Dipika Guha and the women of the Satori Group. It follows five women, who emerge as mothers and daughters and friends and lovers, brought together by a series of coincidences over the course of one day in Paris.
The Land Is Always Known:
An experimental musical which explores the legacy of trauma by mythologizing one family's reckoning with its violent past, the piece is a collaboration between the Satori Group and musical duo The Bengsons. Using a mythological story line, soaring music, and vividly constructed landscapes, The Land is Always Known is a new American folk tale, a new story to help us reconfigure our troubled DNA.
Returning to Albert Joseph:
Developed collaboratively over years of work with an ensemble, Returning to Albert Joseph is an investigation of the limits of love and language. Haunting, funny and strange, the new production of this signature Satori play is an intimate portrait of two people pushed to the edge of their worlds and their words.